MUSIC, HISTORY Latin Cha-Cha : Music ===================== Cha-Cha music is composed in 4/4 time. There are four beats to the measure but the third beat is divided into two eighth notes. The rhythm is cued as :- "slow slow quick quick slow". Dancing each bar of music will take two slow steps and three quick steps. We may count them as "step step cha-cha-cha" or "two three four and one". Count : step step cha cha cha step step cha cha cha Rhythm : slow slow quick quick slow slow slow quick quick slow Count : two three four and one two three four and one The count of "four and one" corresponds to "cha-cha-cha" Rhythm S S QQS S S QQS S S QQS S S QQS S=slow Q=quick (Bar) Measure 11111111222222223333333344444444 (Beat) Quarter Time 11223344112233441122334411223344 Drum * * *** * * *** * * *** * * *** Dance s s ccc s s ccc s s ccc s s ccc s=step c=cha Count 2 3 4&1 2 3 4&1 2 3 4&1 2 3 4&1 The melody of the music begins with the last quarter note of a musical bar. This is the count of one. 30 bars per minute is the international standard tempo for Cha-Cha. Latin Cha-Cha : History ======================= In the late 1940s, Havana, Cuba, was one of the most popular resorts for North Americans, especially those residing along the east coast. The most famous American dance bands as well as the many outstanding latin bands native to Cuba played at the city's casinos. Some of these orchestras tried combining the American JAZZ beat with the Cuban RUMBA rhythm. The result was a new rhythm called the MUMBO. A dance was developed to the new mambo rhythm, danced to the off beat rather than the traditional downbeat. For this reason, the dance was popular mainly with dancers thoroughly familiar with complex Afro-Cuban music. Howev- er, among the many figures of the mambo was one called the "chatch", which involved three quick changes of weight preceded by two slow steps. By the early 1950s, this figure had developed into a new dance comprised of many simple variations on the basic footwork. The dance acquired the name CHA-CHA ; its characteristic three-step change of weight carried the identifying verbal definition, "cha-cha-cha". The cha-cha inherited much of its styling from its parent dances, the rumba and the mambo. Like most latin dances, it is done with the feet remaining close to the floor. The dancers' hips are relaxed to allow free movement in the pelvic section. The upper body shifts over the supporting foot, as steps are taken.